St. Vincent performed recently in the city I’m in, and she opened her show with a short film she directed called “The Birthday Party.”
It’s got a day glow, “Alfred Hitchcock Presents” kind of charm to it. I thought the ending was funny. I won’t get into all the detail, but here’s a clip:
These kinds of visuals aren’t unusual for a St. Vincent video. Here’s one just as morbid and just as funny:
This step by step reconstruction of the Scotty meets Gavin scene in “Vertigo” by Alfred Hitchcock may seem like the narrator is reading too much into an early part of the movie. But he’s exactly right. Hitchcock would storyboard every element of a movie before actually committing it to film. There was no improvisation on his set.
In fact, Hitchcock used to say that the actual filming of his movies were the least complicated, and sometimes most boring, part of the process, because he had essentially completed the production before filming began.
Six years ago, I wrote a pretty extensive post on another “Vertigo” scene, with plenty of spoilers. If you’re a Hitchcock fan like I am, you can read it here.
It’s easier to see in animation. Just take a look at the opening credits of “Psycho” and see how they tell you this is a movie about being trapped and slashed.
Tons of spoilers here, so view at your own risk:
I’ve said before that my favorite Alfred Hitchcock movie is “Shadow of a Doubt,” a 1943 thriller about a serial murderer of widows and the curious relation between him and his loving niece.
But what I didn’t know was that back in the 1940s and ’50s, radio plays were regularly done using popular films as the script. So I’m searching through YouTube for clips on “Shadow of a Doubt” and I find this:
I don’t know who Betsy Drake was, but Cary Grant as Uncle Charlie is an amazing find. He was in four Hitchcock movies (“Suspicion,” Notorious,” North by Northwest” and “To Catch a Thief) but it was so odd to hear him doing Joseph Cotten’s role. And even better, Hitchcock is the director!
And just as I was wowed by this version from the 1950s, I find another version done in 1944, several years earlier:
William Powell, “The Thin Man” of all people, is Uncle Charlie. And Teresa Wright, who played young Charlie in the movie a year earlier, is of course, a great choice. The director is Cecil B. DeMille (I’m ready for my close-up, Mr. DeMille) the master of monumental movies.
The nightmare begins:
After successfully remaking several 80s slasher films, Michael Bay and his Platinum Dunes banner look ready to remake one of the master of suspense’s classic films alongside Peter Guber’s Mandalay Pictures.
Platinum Dunes, Mandalay Pictures and Universal have tapped Dutch filmmaker Diederik Van Rooijen to direct the remake of Alfred Hitchcock’s “The Birds.”
As a longtime Hitchcock fan, I am so ready to hate this movie. This is the trailer for “The Birds”:
This is the trailer for the next big Michael Bay extravaganza:
The only thing that could make this worse is Michael Bay decides to cast Shia LaBeouf and Rosie Huntington-Whiteley in the lead roles for “The Birds.”
I’ve seen more than 70 percent of these. Just for the record, you can die without seeing the remake of “King Kong,” and as much as I liked “12 Monkeys,” “Melancholia,” “Sucker Punch” and “Spring Breakers,” those weren’t on the original list.
I wonder where these selections came from?